Metaphysical conceit in To His Coy Mistress with 5 quotes
A metaphysical conceit is a type of literary device that was commonly used in poetry during the 17th century, particularly in the works of the so-called "Metaphysical Poets," such as John Donne and Andrew Marvell. A conceit is an extended metaphor that is used to explore a complex idea or emotion. A metaphysical conceit specifically refers to a fanciful and elaborate comparison between seemingly dissimilar things. The comparison is usually elaborate and often counterintuitive and it is used to explore complex ideas or emotions and to stimulate the readers' imagination.
In a metaphysical conceit, the poet uses an elaborate metaphor to explore the nature of love, the passage of time, the relationship between the physical and spiritual realms, or other profound and abstract concepts. The comparison is often counterintuitive and unexpected, and it can involve multiple layers of meaning and allusion.
The most characteristic feature of metaphysical poetry is its use of elaborate and extended metaphors and similes, known as metaphysical conceits which uses an analogy to explore deep emotions or complex ideas. The conceit can be thought of as a kind of intellectual or cognitive exercise, in which the poet and the reader work together to unravel the intricate meaning of the metaphor.
"To His Coy Mistress" is a metaphysical poem written by Andrew Marvell in which the speaker uses a series of elaborate comparisons and conceits to persuade his mistress to engage in internal intercourse. Here are five quotes from the poem that illustrate the use of metaphysical conceit:
01. "Had we but world enough, and time, / This coyness, lady, were no crime." (lines 1-2) - This comparison between the vastness of time and the limited time the speaker and his mistress have together sets up the overall conceit of the poem.
02. "An hundred years should go to praise / Thine eyes, and on thy forehead gaze; / Two hundred to adore each breast, / But thirty thousand to the rest." (lines 9-12) - Here, the speaker exaggerates the amount of time it would take to praise all of his mistress's physical features.
03. "And at my back I always hear / Time's winged chariot hurrying near" (lines 13-14) - This metaphor compares the approach of death to the sound of a chariot approaching, emphasizing the brevity of life and the need to act quickly.
04. "Thus, though we cannot make our sun / Stand still, yet we will make him run." (lines 29-30) - The speaker uses the metaphor of the sun standing still to indicate to the mistress that even though they cannot stop time from moving forward, they can still make the most of the time they have together.
05 "My vegetable love should grow / Vaster than empires, and more slow." (lines 35-36) - The speaker uses the metaphor of a vegetable garden to describe the slow and steady growth of his love for his mistress, in contrast to the fast pace of life and the inevitability of death.
01. Who is the speaker in "To His Coy Mistress"?
The speaker in the poem is a man who is addressing his mistress, urging her to engage in very close intercourse with him.
02. What is the overall theme of "To His Coy Mistress"?
The overall theme of the poem is the passage of time and the urgency of seizing the moment before it's too late.
03. How does the speaker use imagery in "To His Coy Mistress"?
The speaker uses a variety of vivid imagery to elaborate on the theme of the poem, including comparisons to a vegetable garden, a winged chariot, and the sun.
04. What literary devices are used in "To His Coy Mistress"?
The poem makes use of a number of literary devices, including metaphor, simile, and hyperbole. The central device of the poem is the extended metaphor of a metaphysical conceit.
05 What is the tone of "To His Coy Mistress"?
The tone of the poem is persuasive and urgent. The speaker is trying to convince his mistress to engage in very close intercourse with him, and he uses a variety of literary devices to make his argument more compelling.
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To His Coy Mistress