Justify W.H. Auden as a modern poet - Quotation

Justify W.H. Auden as a modern poet - Quotation

To justify Auden as an extraordinary current writer one might say that Auden stands apart among present-day artists by his sincere work to be an incredible current scholar. He was knowledgeable ever, reasoning and religious philosophy and had an amazing hold on contemporary flows of thought in political hypothesis, science, and brain research. His virtuosity and the flexibility of his controls over language will extend stay a wellspring of motivation and in process of everything working out may procure him the title of the 'artist's writer'.

Auden really didn't have any desire to confine verse to its tranquil fundamental capacity, its most perfect and most extreme indications as Eliot did. Despite what might be expected, he was against all ideas of creative propriety. He, similar to others of his time, focused on curtness, buildup rather than on diffuseness and elaboration. Professor Beach is right when he calls Auden "a typically modern poet", who "sedulously avoids the 'frontal attack' on his subject, whose thought is characteristically rendered by the 'oblique' or indirect method, the terms of his discourse being, not philosophical abstractions and plain statements of fact, but symbols, myths, and implication and whose effect are complicated by the use of such rhetorical devices as irony, ambiguity, and dramatic impersonation".

“I’ll love you, dear, I’ll love you

Till China and Africa meet,

And the river jumps over the mountain

And the salmon sing in the street”

― W.H. Auden

Auden's phenomenal style and word usage make his verse strikingly dark. In some cases, the style makes his sonnet hard to comprehend. This trouble and lack of clarity emerge from the outrageous thickness and epigrammatic conciseness of his style. He frequently writes in a transmitted style where associations, conjunctions, articles, even pronouns, are regularly absent. Further trouble is made by his incessant utilization of the phrasing of present-day brain science. Auden coins new words and does not hesitate to use archaic, obsolete, and unfamiliar, unusual words if they suit his purpose. Abstract nouns are personified and written with - a capital letter. Similarly, objectives are turned into, nouns by the use of 'The' before them. In all these ways he makes his diction concrete and picturesque.

“Poetry might be defined as the clear expression of mixed feelings.”

― W.H. Auden, New Year Letter

In the cutting-edge age, man is experiencing a feeling of weariness. Man is desolate even in a group and is in a profound way dead. Auden has used different types of landscape to symbolize the spiritual and psychological states of the modern man, and so are his peoples and places. Auden has conveyed the spiritual desolation of a sick industrial society by the use of desolate rocky landscapes.

“We must love one another or die”

― W.H. Auden

The last message of Auden's verse is that life is a gift and it should be acknowledged as such happened as an arrangement to his confidence and widespread love for the fix of human ills. The reception of different styles and methods by Auden made him express his idea in a solitary manner and his utilization of a long streaming line caused his lingual authority to develop straightforward and rhyme to become everyday and conversational.

 “Among those whom I like or admire, I can find no common denominator, but among those whom I love, I can; all of them make me laugh.”

― W. H. Auden

Though there is much inequality in his work, though much inferior matter mingles with the matter of the highest quality in his poetry, since his migration to America in 1940, there has been a decline in intensity in his works, still Auden is a major poet by virtue both of the quantity and quality of his work. His amazing versatility and virtuosity of his power over language will long remain a source of inspiration and in course of time, may earn him the title of 'the poet's poet'?

      

Thus in spite of the apparent contradiction of his different phases, he was, in the words of Anthony Thwaite, "all-of-a piece". The shifting themes and poetic styles often, confuse the reader but in the body of his work one cannot fail to notice similarities of poetic attack and intent that are, in fact, predispositions of his imagination.